Fiery and Daring: Lale Mansur

Talk

October 15, 2022 / 18.00

One of the protagonists of unusual and unconventional female roles and stories in the cinema of Turkey with the films she has acted in, Lale Mansur meets the audience within the scope of the 11th Pink Life QueerFest.

Renowned as a director of women's films in the 80s, Atıf Yılmaz also made LGBTI+ themed films in the 90s, which left their mark on those years, in tandem with the strengthening of the LGBTI+ movement and the development of queer theory. Not only the directors but also the female actors of that period, by carrying the influence of these strong images and the period itself, strengthened the place of the aforementioned films in the history of cinema. In addition to the strong and daring female roles she played, Lale Mansur has also carried her game-changing attitude in terms of her political stance and worldview until today.

We will have a conversation with Lale Mansur about the 80s’ and 90s’ cinema of Turkey and the fiery and daring Lale Mansur Cinema upon the screening of the film Walking After Midnight, one of the important examples of LGBTI+ themed films of the 90s. The conversation will be facilitated by QueerFest Director Gök Akyel and queer filmmaker, activist and director of the film Scenes I Imagine, Metin Akdemir.

Midnight Horror Stories: The Last Ferry <br> Galip Dursun

Midnight Horror Stories: The Last Ferry
Galip Dursun

I remembered a game as I was waiting in the passenger lounge for the ferry to arrive just a few minutes ago. A game we used to play at home when I was young, in my country that is very far away from here, a relic from the distant past; I don’t even remember how we used to play it. The kind of game that makes me feel a thousand times lonelier than I already am among the crowd waiting to get on the ferry.

Portrait of Martín Zapater (1797)

Portrait of Martín Zapater (1797)

Martín Zapater y Clavería, born in Zaragoza on November 12th 1747, came from a family of modest merchants and was taken in to live with a well-to-do aunt, Juana Faguás, and her daughter, Joaquina de Alduy. He studied with Goya in the Escuelas Pías school in Zaragoza from 1752 to 1757 and a friendship arose between them which was to last until the death of Zapater in 1803. 

Transition to Sculpture

Transition to Sculpture

If Manolo Valdés’s paintings convey a search for materiality, his sculpture does so even more. Today, sculpture has taken over most of his workspace, his time, and his efforts.