Could the future be remembered through the familiar objects collected in the past? Could these objects act as a means to shape the memories of the future that will come as fragments—a means to shape, understand, and preserve the past? Souvenirs of the Future, which sets forth from the Suna and İnan Kıraç Foundation Kütahya Tiles and Ceramics Collection, explores the ties forged between memory and imagination through contemporary works while focusing on that which is remembered with the help of objects. The cultural and symbolic value and meaning of objects that have been acquired or collected as souvenirs, as a reminder of a certain place and time, interweave the memory of the region with personal journeys.
The exhibition presents a future-oriented perspective of the archive while aiming to understand the future through commissioned contemporary works inspired by the collection. Yet instead of a nostalgic devotion to the past, it proposes contemplating how we will remember the future. In this exhibition curated by Ulya Soley and organized in memory of Suna Kıraç, who created the Kütahya Tiles and Ceramics Collection, a selection from the collection that inspired the contemporary works accompanies each corresponding section. As part of the exhibition, a restricted number of participants will be offered the opportunity to take a tour of the exhibition, led by curator Ulya Soley's informative commentary.
The guided tour fee: 100 TL (Free for Friends of Pera Museum)
The guided tour language is Turkish. The capacity is limited. To join the tour, you can buy tickets from Biletix or make a reservation via resepsiyon@peramuzesi.org.tr
Temporary Exhibition
The exhibition focuses on the memories recalled through objects whilst exploring the connections between memory and future imaginings through a contemporary lens. The cultural and symbolic value and significance of objects taken as souvenirs, those that remind us of a certain place and time, or those that are collected, weave together personal journeys and the memory of the region. Instead of a nostalgic attachment to the past, it proposes contemplating how the future will be remembered and focuses on memory's future-oriented functions.
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Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.
The Vanity of Small Differences is a series of six large scale tapestries, completed in 2012, which explore British fascination with taste and class, and can be seen in the Grayson Perry: Small Differences exhibition.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
