}

Look Again

March 31 - April 2, 2017

Pera Museum’s performance project Look Again presented in collaboration with Performistanbul celebrated the art of performance as well as the visitor experience through the museum’s collection exhibitions. Curated by Simge Burhanoğlu, founding director of Performistanbul Look Again took place over three days throughout the Pera Museum’s collection exhibitions: Intersecting World: Ambassadors and Painters, Coffee Break: Kütahya Tiles and Ceramics, and Anatolian Weights and Measures. The artists I. Ata Doğruel, AslieMk, and Ekin Bernay have been working closely with the museum’s collections and presented their own interpretations. This performance program facilitated a new look into the museum’s collection and exhibiting practices.

At the Order of the Padishah

At the Order of the Padishah

In this piece, Żmurko presents an exotic image of a harem chamber, replete with gleaming fabrics and scattered jewels, as a setting for the statuesquely beautiful body of an odalisque murdered “at the order of the padishah”. 

Midnight Horror Stories: The Last Ferry <br> Galip Dursun

Midnight Horror Stories: The Last Ferry
Galip Dursun

I remembered a game as I was waiting in the passenger lounge for the ferry to arrive just a few minutes ago. A game we used to play at home when I was young, in my country that is very far away from here, a relic from the distant past; I don’t even remember how we used to play it. The kind of game that makes me feel a thousand times lonelier than I already am among the crowd waiting to get on the ferry.

Portrait of Martín Zapater (1797)

Portrait of Martín Zapater (1797)

Martín Zapater y Clavería, born in Zaragoza on November 12th 1747, came from a family of modest merchants and was taken in to live with a well-to-do aunt, Juana Faguás, and her daughter, Joaquina de Alduy. He studied with Goya in the Escuelas Pías school in Zaragoza from 1752 to 1757 and a friendship arose between them which was to last until the death of Zapater in 1803.