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Manolo Valdés

Paintings and Sculptures

May 8 - July 21, 2013

A leading figure of Spanish Pop Art, Manolo Valdés was at Pera Museum with a selection of works that extend from the 1980s to the present.

Organized in collaboration of Marlborough Gallery New York, the exhibition was comprised of a selection of the artist’s paintings and sculptures. Renowned particularly for the diversity of his media, his large-scale works, and quests in form, Valdés is hailed as one of the great masters of contemporary Spanish art.

Following the dissolution of Equipo Crónica, the pioneering group of Pop Art in Spain, which he co-founded, Valdés continued his career solo as of 1982. His works derive their strength from the masterpieces of the past, bear historic clues, colors, and textures, and make strong references to art history, carrying traces that extend from Velázquez to Zurbarán, and from Matisse to Picasso and Lichtenstein.

Stripping a painting from its original context and reinterpreting it through Pop Art, the artist primarily focuses on figures, objects, and series.

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Exhibition Catalogue

Manolo Valdés

Manolo Valdés

Manolo Valdés: Paintings and Sculptures exhibition was comprised of a selection of the artist’s paintings and sculptures. Renowned particularly for the diversity of his media, his...

Video

Transition to Sculpture

Transition to Sculpture

If Manolo Valdés’s paintings convey a search for materiality, his sculpture does so even more. Today, sculpture has taken over most of his workspace, his time, and his efforts.

Giacometti: Early Works

Giacometti: Early Works

Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development. 

Rineke Dijkstra Look At Me!

Rineke Dijkstra Look At Me!

“The portrait tells us that there is an inner and an outer dimension of the human condition; it provides—or should provide—information about both the physical and psychological character of an individual.”