May 10 - June 25, 2006
Where does the French artistic scene stand as regards to the last fifteen years? What are its eminent character traits? What are its dominant trends? Were there notable changes that had transformed its features? These are some of the questions brought into play by this idea of sketching a “profile” and not a “panorama” of its present status. The semantic differentiation between these two words is quite imposing here. If the notion of panorama supposes a scope and an extent which imply a broadened vision of the situation, that of profile does not make out the same meaning and sooner accentuates the idea of an overview, a digest, following the example of an artist who endeavors to give a thumbnail sketch of his model in an attempt to express its essential traits.
The first chapter of Fernand Braudel’s remarkable work “The Identity of France – History and Environment” published in 1986 bears the title “That France names herself diversity”. As a reply to this precious turn of phrase, the exposition “Profiles”, albeit far from being exhaustive, gather some 60 works by about 40 artists, nationals and foreigners, living and working in France, presenting a sample group of contemporary creation merging all trends and styles.
As its organizer, the famous art critic Philippe Piguet put it, this exposition “which intended to highlight a present state of art production as it developed in France more or less in the last fifteen years and what is more insomuch as it is sifted through sieves of public collections” blew like a spring breeze wafting a gentle air from France into the halls of Pera Museum, and gave the contemporary artistic panorama of a country that has always been amongst the vanguards of European Art.
Curator: Philippe Piguet
Artists: Adel Abdessemed, Adam Adach, Jean-Michel Alberola, Stephan Balkenhol, Claude Closky, Philippe Cognee, Stephen Dean, Richard Fauguet, Gregory Forstner, Bernard Frize, Jakob Gautel, Philippe Gronon, Marie-Ange Guilleminot, Pierre Joseph, Jason Karaindros , Regine Kolle, Christian Lapie, Natacha Lesueur, Isabelle Levenez, Olivier Masmonteil, Didier Mencoboni, Yan-Pei Ming, Jean-Luc Moulene, Bruno Perramant, Bernard Piffaretti, Pascal Pinaud, Eric Poitevin, Philippe Ramette, Sophie Ristelhueber, Georges Rousse, Samuel Rousseau, Yvan Salomone, Sarkis, Anne-Marie Schneider, Kristina Solomoukha, Barthelemy Toguo, Patrick Tosani, Xavier Zimmermann
Exhibition Catalogue
Where does the French artistic scene stand in regard to the last fifteen years? What are its eminent character traits? What are its dominant trends? Did nay notable change come about to transform...
Giacometti was selected for three important retrospectives at the New York Museum of Modern Art, the Tate Gallery in London and the Louisiana Museum of Art in Denmark, all of which were a great success.
Today we are thrilled to present the second playlist of Amrita Hepi’s Soothsayer Serenades series as part of the Notes for Tomorrow exhibition.
A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 200 TL
Discounted: 100 TL
Groups: 150 TL (minimum 10 people)
