}

Yıldız Moran

Timeless Photographs

November 27, 2013 - January 19, 2014

The first female photographer of Turkey to have received an academic training, Yıldız Moran (1932-1995) was presented to audiences through a comprehensive exhibition for the first time at Pera Museum.

Moran began her career in photography with great passion, only to give it up after marrying Özdemir Asaf, another great passion in her life. Nevertheless, during her brief career, Moran was able to produce significant and variegated work after studying with the famous photographer John Vickers in Britain. Her first solo exhibition in Cambridge was followed by those in Istanbul, Ankara, London, and Edinburgh.

Besides her technical prowess and her masterful use of light, Yıldız Moran was a photographer who put her soul, intellect, and heart - in other words her whole self - into her work, thereby lending depth to her images. This comprehensive exhibition, a “retrospective” in a sense, aims to present Moran’s inner voice through a new reading that focuses on the traces of her visibility within the history of Turkish and international photography.

With many photographs to be seen for the first time (along with a limited number of others Moran has become famous for), the exhibition offered an opportunity to meet a figure that had until now remained in the dark - the first “schooled” female photographer of Turkey.

gallery wall paint sponsor


Exhibition Catalogue

Yıldız Moran

Yıldız Moran

The first female photographer of Turkey to have received an academic training, Yıldız Moran's photographs (1932-1995) was presented in a comprehensive exhibition for the first time at Pera...

Video

Today's Stories: Coal <br>Pelin Buzluk

Today's Stories: Coal
Pelin Buzluk

Inspired by the exhibition Istanbuls Today, Today's Stories series starts with Pelin Buzluk's story "Coal"! TThis series gathers short stories written by authors encouraged by the photographs in the exhibition.

Midnight Stories: COGITO <br> Tevfik Uyar

Midnight Stories: COGITO
Tevfik Uyar

He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.

Giacometti: Early Works

Giacometti: Early Works

Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development.