Bauhaus: Beyond a School

October 14 - November 2, 2018

In this program presented in the scope of the 4th Istanbul Design Biennial organized by the Istanbul Foundation for Culture and Arts with the theme 
A School of Schools, Pera Film tackles the creative relationship Bauhaus had with different disciplines while focusing on the generative works of artists and architects.
 
This program’s screenings are free of admissions. Drop in, no reservations.
 
 
  in collaboration

#BeyondASchool

 

October 14

18:00 Bauhaus: Media Art

October 17

17:00 Bauhaus: Model and Myth

November 2

19:00 Bauhaus: Model and Myth

21:00 Bauhaus: Media Art

Bauhaus: Model and Myth

Bauhaus: Model and Myth

Bauhaus: Media Art

Bauhaus: Media Art

4th Istanbul Design Biennial

Pera Museum hosted the 4th Istanbul Design Biennial, organized by Istanbul Foundation for Culture and Arts (İKSV). For the 4th Istanbul Design Biennial, organised by the Istanbul Foundation for Culture and Arts (İKSV) and sponsored by VitrA, curator Jan Boelen teamed up with Vera Sacchetti as Associate Curator and Nadine Botha as Assistant Curator.

4th Istanbul Design Biennial

Paris Without End (1959-1965)

Paris Without End (1959-1965)

In the 60s, Alberto Giacometti paid homage to Paris, the city where he lived, by drawing its streets, cafés, and more private places like his studio and the apartment of his wife, Annette. These drawings would make up his last book, Paris sans fin (Paris Without End). 

Soothsayer Serenades I Beautiful People by Sarp Dakni

Soothsayer Serenades I Beautiful People by Sarp Dakni

Today we are thrilled to present the second playlist of Amrita Hepi’s Soothsayer Serenades series as part of the Notes for Tomorrow exhibition. 

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.