At the Bauhaus, film practice was part of the teaching concept of a "science of seeing." Art and technology were to form a new unit. Film, as a technical medium par excellence, was an important element in this program. Media art opens up an insight into the spectrum of the various artistic genres that were taught and practiced at the Bauhaus and influenced each other: in the selected works of Heinrich Brocksieper, Werner Graeff, Kurt Kranz and Kurt Schwerdtfeger painting, drawing, graphics and installation are carried through. The medium of film also made it more dynamic Inspired by the abstract films of Hans Richter and Viking Eggeling, Bauhausers further developed the modern language of forms in media art experiments.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
