Pera Film’s The Divided Self program presented in conjunction with the exhibition Look At Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection takes its title from R. D. Laing’s 1960 seminal book The Divided Self: An Existential Study in Sanity and Madness. Ronald David Laing, a Scottish psychiatrist, wrote extensively on mental illness – in particular, the subjective experience of psychosis. Laing's views on the causes and treatment of serious mental dysfunction, greatly influenced by existential philosophy, ran counter to the psychiatric orthodoxy of the day by taking the expressed feelings of the individual patient or client as valid descriptions of lived experience rather than simply as symptoms of some separate or underlying disorder. As the exhibition Look At Me! delves deep into the form of the portrait through identity, representation and convention, Pera Film’s The Divided Self proposes a similar reflection through the subject of psychiatry in the moving image. The selection highlights the work and life of Laing through striking documentaries and video works such asAsylum, Did You Used to be R.D. Laing?, Family Life and Reading Film from ‘Knots’ by R.D.Laing. In this frame work, the program includes Scottish filmmaker Lynne Ramsay’s Morvern Callar adapted from Alan Warner's 1995 novel about a young woman from a small town in Western Scotland who hopes to use her boyfriend's sudden suicide as her springboard to freedom. Ramsay’s We Need to Talk About Kevin, on the other hand was a study of the fraught and complex relationship between a mother and her son, who grows up to become a multiple murderer. The Divided Self program also salutes recent cinematic journeys, which explore identity, individualism and the ego such as Nicolas Winding Refn’s Neon Demon, Eliza Hittman’s Beach Rats and Yorgos Lanthimos’s The Killing of a Sacred Deer. Laing eloquently puts it as “We are bemused and crazed creatures, strangers to our true selves, to one another, and to the spiritual and material world - mad, even, from an ideal standpoint we can glimpse but not adopt.”
This program’s screenings are free of admissions. Drop in, no reservations.
February 7
19:00 Did You Used to be R.D. Laing?
February 10
14:00 Family Life
February 11
14:00 Morvern Callar
16:00 We Need to Talk About Kevin
February 16
19:00 The Killing of a Sacred Deer
21:00 The Neon Demon
February 17
16:00 Did You Used to be R.D. Laing?
18:00 We Need to Talk About Kevin
February 18
18:00 The Neon Demon
February 23
19:00 Family Life
21:00 Beach Rats
March 2
19:00 Asylum
Reading Film from ‘Knots’ by R.D. Laing
March 3
14:00 Beach Rats
16:00 Morvern Callar
18:00 Asylum
Reading Film from ‘Knots’ by R.D. Laing
March 4
16:00 The Killing of a Sacred Deer
February 7
19:00 Did You Used to be R.D. Laing?
February 10
14:00 Family Life
February 11
14:00 Morvern Callar
16:00 We Need to Talk About Kevin
February 16
19:00 The Killing of a Sacred Deer
21:00 The Neon Demon
February 17
16:00 Did You Used to be R.D. Laing?
18:00 We Need to Talk About Kevin
February 18
18:00 The Neon Demon
February 23
19:00 Family Life
21:00 Beach Rats
March 2
19:00 Asylum
Reading Film from ‘Knots’ by R.D. Laing
March 3
14:00 Beach Rats
16:00 Morvern Callar
18:00 Asylum
Reading Film from ‘Knots’ by R.D. Laing
March 4
16:00 The Killing of a Sacred Deer
Program Trailer
The exhibition Look At Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examined portraiture, one of the oldest artistic genres, through a significant number of works of our times. Paintings, photographs, sculptures and videos shaped a labyrinth of gazes that invite spectators to reflect themselves in the social mirror of portraits.
A closer look at the life and works of the artist Barbara Kruger, who is represented with two striking works in the exhibition And Now The Good News, a selection of works from the Nobel Collection.
When Karl XII of Sweden was defeated by Tsar Peter the Great of Russia in 1709, he fled to the Ottoman Empire and settled in Bender with his entourage for five years.
The various states of viewing nudity entered the Ottoman world on postcards before paintings. These postcards appeared in the 1890s, and became widespread in the 1910s, following the proclamation of the Second Constitutional Monarchy, traveling from hand to hand, city to city.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 200 TL
Discounted: 100 TL
Groups: 150 TL (minimum 10 people)
