Asylum

  • March 2, 2018 / 19:00
  • March 3, 2018 / 18:00

Director: Peter Robinson
Cast: R.D. Laing, Leon Redler, David Bell, Julia
USA, UK, 1972, 96', color
English with Turkish subtitles
 
In 1971, a group of filmmakers were granted the opportunity to film for several weeks at a unique home for “mentally troubled” individuals in London, UK. The Archway Community was based in large part on the theories of the late, radical psychiatrist R.D. Laing, including his belief that the hierarchical structure of the usual doctor-patient relationship could be broken down by communal living – an effort to break the cycle of people being fruitlessly shuttled between mental hospitals and their often dysfunctional homes. The film participates in this ethos, simply observing the housemates as they interact with each other, often in fascinating digressions that illustrate Laing’s thesis at the time that “madness”, while painful, could sometimes have creative and socially positive outcomes. A tremendously humane and powerful document of community.
 
These screenings are free of admissions. Drop in, no reservations.

Asylum

Asylum

Did You Used to be R.D. Laing?

Did You Used to be R.D. Laing?

Reading Film from ‘Knots’ by R.D. Laing

Reading Film from ‘Knots’ by R.D. Laing

Family Life

Family Life

Morvern Callar

Morvern Callar

We Need to Talk About Kevin

We Need to Talk About Kevin

The Neon Demon

The Neon Demon

Beach Rats

Beach Rats

The Killing of a Sacred Deer

The Killing of a Sacred Deer

Trailer

Asylum

Turquerie

Turquerie

Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts. 

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

Marcel Duchamp’s Bicycle Wheel

Marcel Duchamp’s Bicycle Wheel

In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.