Asylum

  • March 2, 2018 / 19:00
  • March 3, 2018 / 18:00

Director: Peter Robinson
Cast: R.D. Laing, Leon Redler, David Bell, Julia
USA, UK, 1972, 96', color
English with Turkish subtitles
 
In 1971, a group of filmmakers were granted the opportunity to film for several weeks at a unique home for “mentally troubled” individuals in London, UK. The Archway Community was based in large part on the theories of the late, radical psychiatrist R.D. Laing, including his belief that the hierarchical structure of the usual doctor-patient relationship could be broken down by communal living – an effort to break the cycle of people being fruitlessly shuttled between mental hospitals and their often dysfunctional homes. The film participates in this ethos, simply observing the housemates as they interact with each other, often in fascinating digressions that illustrate Laing’s thesis at the time that “madness”, while painful, could sometimes have creative and socially positive outcomes. A tremendously humane and powerful document of community.
 
These screenings are free of admissions. Drop in, no reservations.

Asylum

Asylum

Did You Used to be R.D. Laing?

Did You Used to be R.D. Laing?

Reading Film from ‘Knots’ by R.D. Laing

Reading Film from ‘Knots’ by R.D. Laing

Family Life

Family Life

Morvern Callar

Morvern Callar

We Need to Talk About Kevin

We Need to Talk About Kevin

The Neon Demon

The Neon Demon

Beach Rats

Beach Rats

The Killing of a Sacred Deer

The Killing of a Sacred Deer

Trailer

Asylum

Giorgio de Chirico

Giorgio de Chirico

Giorgio de Chirico was born on July 10, 1888, in Volos, Greece, to an Italian family. His mother, Gemma Cervetto, was from a family of Genoa origin, but most likely she was born in Izmir. His father, Evaristo, was born on June 21, 1841 in the Büyükdere district of Istanbul.

İstanbul: Before & After

İstanbul: Before & After

Selected from the Suna and İnan Kıraç Foundation Photography Collection, we present the landscapes and places in Istanbul photographs, dating from the 1850s to the 1980s, together with their present-day views!

I Copy Therefore I Am

I Copy Therefore I Am

Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.