(chatlandia)

Directors: Julia Meltzer, Amanda Ramos
USA, 2000, 3', color

English with Turkish subtitles

(chatlandia) uses the public bathroom stall as format and metaphor for Internet relay chat lines (IRCs). The video's soundtrack is composed from transcripts of actual IRC sessions; the conversations emerging from this institutional facade speak of lust, intimacy, spunky women, and "what Desiree wants," calling into question the division between humans and machines. In (chatlandia) the larger theme of how the 'net functions as social space is explored and encourages the viewer to ask: Is the Information Age actually bringing us closer together or pushing us farther apart? Is the way we interact physically being transformed by our virtual interactions? Can we be intimate through the plastic interface of the computer and how does the Internet feed this need?

Freebird

Freebird

Fresh Kill

Fresh Kill

(chatlandia)

(chatlandia)

Valentine for Perfect Strangers

Valentine for Perfect Strangers

Wonders Wander

Wonders Wander

Mosques in the 18th and 19th Century Paintings

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Fluid Identities  Creating an Identity / Hybrid Identities

Fluid Identities Creating an Identity / Hybrid Identities

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.

Andy Warhol’s Screen Tests

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Between 1963 and 1966 Andy Warhol worked at making film portraits of all sorts of characters linked to New York art circles. Famous people and anonymous people were filmed by Andy Warhol’s 16 mm camera, for almost four minutes, without any instructions other than ‘to get in front of the camera’.