Director: Wang Bing
China, France, 2016, 152, color
Mandarin with Turkish subtitles
Set in the fast-growing factory city of Huzhou in eastern China, Bitter Money jumps between day-to-day moments in the lives of workers who migrated to the city in search of higher wages. Its title refers to a slang expression used in Huzhou to describe the hardships of living away from home and enduring the factories’ gruelling working conditions in order to earn an income. Opening with a shot of a teenage girl leaving her village for the city, and closing with the end of a production line, the film takes in the tragic ripple effect of violence and oppression stemming from the pyramid schemes and inhumane systems of industrialisation expanding in the city. Wang Bing’s steady gaze gives the sense of people (many of them teenagers) buffeted about by far more powerful forces, and mired in the daily grind.
Trailer
Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
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