Chekhov's Motifs

  • February 7, 2016 / 14:00
  • February 19, 2016 / 20:00

Director: Kira Muratova
Cast: Sergey Bekhterev, Nina Ruslanova, Natalya Buzko
Russa, Ukraine, 2002, 120’, black & white
Russian with Turkish subtitles

Based on two works by Chekhov, the play Tatiana Repina and the short story Difficult People, Chekhov's Motifs is a fascinating diptych, two parts that share characters but on the surface little else. The film begins as a young man returns to his small village to borrow money, a request that sets off a bitter confrontation between him and his father. The long-suffering wife (and mother) can do little but look on. Kira Muratova powerfully captures the emotional rawness of this generational confrontation, exposing a wide array of issues and prejudices. After the son runs out of the house, he walks into a wedding service taking place in the local Orthodox Church. The groom is an overweight opera singer, and the bride and her family are grotesque examples of Russia's nouveaux riches. Yet the point here is less satire perhaps than Muratova's meticulous rendition of the entire ceremony, refusing the spectator a comfortable distance from which to judge these characters by bringing us into the world of the film itself.

The Lady with the Dog

The Lady with the Dog

Uncle Vanya

Uncle Vanya

An Unfinished Piece for the Player Piano

An Unfinished Piece for the Player Piano

A Hunting Accident

A Hunting Accident

Vanya on 42nd Street

Vanya on 42nd Street

Chekhov's Motifs

Chekhov's Motifs

Ward # 6

Ward # 6

Winter Sleep

Winter Sleep

Trailer

Chekhov's Motifs

Midnight Horror Stories: <br> Witches’ Sun <br> Mehmet Berk Yaltırık

Midnight Horror Stories:
Witches’ Sun
Mehmet Berk Yaltırık

I walk over rocks hot as iron under the September sun. I can make out a few lines in the distance, and a few cracked rocks, but apart from those, not a single tree, not one plant

Marcel Duchamp’s Bicycle Wheel

Marcel Duchamp’s Bicycle Wheel

In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art. 

It’s better to burn out than to fade away

It’s better to burn out than to fade away

In 1962 Philip Corner, one of the most prominent members of the Fluxus movement, caused a great commotion in serious music circles when during a performance entitled Piano Activities he climbed up onto a grand piano and began to kick it while other members of the group attacked it with saws, hammers and all kinds of other implements.