Chekhov's Motifs

  • February 7, 2016 / 14:00
  • February 19, 2016 / 20:00

Director: Kira Muratova
Cast: Sergey Bekhterev, Nina Ruslanova, Natalya Buzko
Russa, Ukraine, 2002, 120’, black & white
Russian with Turkish subtitles

Based on two works by Chekhov, the play Tatiana Repina and the short story Difficult People, Chekhov's Motifs is a fascinating diptych, two parts that share characters but on the surface little else. The film begins as a young man returns to his small village to borrow money, a request that sets off a bitter confrontation between him and his father. The long-suffering wife (and mother) can do little but look on. Kira Muratova powerfully captures the emotional rawness of this generational confrontation, exposing a wide array of issues and prejudices. After the son runs out of the house, he walks into a wedding service taking place in the local Orthodox Church. The groom is an overweight opera singer, and the bride and her family are grotesque examples of Russia's nouveaux riches. Yet the point here is less satire perhaps than Muratova's meticulous rendition of the entire ceremony, refusing the spectator a comfortable distance from which to judge these characters by bringing us into the world of the film itself.

The Lady with the Dog

The Lady with the Dog

Uncle Vanya

Uncle Vanya

An Unfinished Piece for the Player Piano

An Unfinished Piece for the Player Piano

A Hunting Accident

A Hunting Accident

Vanya on 42nd Street

Vanya on 42nd Street

Chekhov's Motifs

Chekhov's Motifs

Ward # 6

Ward # 6

Winter Sleep

Winter Sleep

Trailer

Chekhov's Motifs

A Photographer’s Biography Guillaume Berggren

A Photographer’s Biography Guillaume Berggren

Berggren acquires the techniques of photography in Berlin and holds different jobs in various European cities before arriving in İstanbul. Initially en route to Marseille, he disembarks from his ship in 1866 and settles in İstanbul, where he is to spend the rest of his life.

I Copy Therefore I Am

I Copy Therefore I Am

Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.

Bosphorus at the Orientalist Paintings

Bosphorus at the Orientalist Paintings

The Bosphorus, which divides the city from north to south, separates two continents, renders Istanbul distinct for western painters, offers the most picturesque spectacles for western artists.