Spain, Japan, 2008–2009, DV, 16mm, color, 43’
Spanish and English with Turkish subtitles
The seven-part correspondence between Isaki Lacuesta und Naomi Kawase, who had only briefly met beforehand at a festival, revolves around proximity and distance as well as what it actually means to meet someone and get to know them. Their joint film In Between Days shows scenes from their private lives, including intimate moments in home-movie style, sometimes without sound, as well as images of journeys to faraway countries, of a natural history museum in Catalonia, of prayers in Japan and of excerpts from a silent film by Segundo de Chomón, the Spanish Méliès.
A closer look at the life and works of the artist Barbara Kruger, who is represented with two striking works in the exhibition And Now The Good News, a selection of works from the Nobel Collection.
1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.
When the Royal Academy of Arts offered Stephen Chambers the opportunity to produce new work for a focused exhibition in the Weston Rooms of the Main Galleries, Chambers turned to print and the possibilities it offered.
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