Spain, Japan, 2008–2009, DV, 16mm, color, 43’
Spanish and English with Turkish subtitles
The seven-part correspondence between Isaki Lacuesta und Naomi Kawase, who had only briefly met beforehand at a festival, revolves around proximity and distance as well as what it actually means to meet someone and get to know them. Their joint film In Between Days shows scenes from their private lives, including intimate moments in home-movie style, sometimes without sound, as well as images of journeys to faraway countries, of a natural history museum in Catalonia, of prayers in Japan and of excerpts from a silent film by Segundo de Chomón, the Spanish Méliès.
Inspired by the exhibition And Now the Good News, which focusing on the relationship between mass media and art, we prepared horoscope readings based on the chapters of the exhibition. Using the popular astrological language inspired by the effects of the movements of celestial bodies on people, these readings with references to the works in the exhibition make fictional future predictions inspired by the horoscope columns that we read in the newspapers with the desire to receive good news about our day.
If Manolo Valdés’s paintings convey a search for materiality, his sculpture does so even more. Today, sculpture has taken over most of his workspace, his time, and his efforts.
Martín Zapater y Clavería, born in Zaragoza on November 12th 1747, came from a family of modest merchants and was taken in to live with a well-to-do aunt, Juana Faguás, and her daughter, Joaquina de Alduy. He studied with Goya in the Escuelas Pías school in Zaragoza from 1752 to 1757 and a friendship arose between them which was to last until the death of Zapater in 1803.
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