Director: Pere Portabella
Cast: Christopher Lee, Herbert Lom, Emma Cohen, Jesús Franco
Spain, 1971, 75', DCP, b&w
English with Turkish subtitles
Shot opportunistically on the set of Jesús Franco’s Count Dracula, Pere Portabella’s parasite film shows us what images are doing to us, and how much we can do with them, given the ample ingredients of a well-known cinematic typology. A landmark of Spanish anti-establishment experimental cinema of the ‘60s and ‘70s, the film is, in Portabella’s own words, 'a film within a film, a discourse within a discourse, in other words, a ‘bloodsucking film’ of another.' Filmed provocatively in 16mm with sound negative, Cuadecuc, vampir simultaneously reveals and revels in the strange 'fantasmatic materialism' inherent in both the constructive mechanisms of magic in mainstream narrative cinema, and that of clandestine politico-aesthetic strategies employed by avant-garde filmmakers under the Franco regime.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 200 TL
Discounted: 100 TL
Groups: 150 TL (minimum 10 people)
