Director: Adrian Panek
Cast: Andrzej Chyra, Mariusz Bonaszewski, Olgierd Lukaszewicz
Poland; 102’, 2011, color
Polish with Turkish subtitles
This visually stunning period drama explores the life of Jacob Frank, the 18th-century Polish mystic who believed that he was the Messiah. Frank’s unique faith combined aspects of Christianity and Judaism, and he claimed he could heal people and bestow immortality. After Jewish authorities proclaimed Frank a heretic, he spent many years in prison and later left Poland to live in Vienna. This examination of his life and times, revealed through the perspectives of former disciple Golinski and Viennese court investigator Klein, is marked by intrigue and conspiracy. When Golinski initiates an inquiry about Frank in Vienna, Klein doesn’t understand a key point—that Frank and his daughter are already deeply involved with Austria’s Kaiser Joseph II. Both men will have to focus their attention on other matters than “Frankists.” This polished and visually austere treatise on power and corruption is the auspicious feature debut of writer/director Adrian Panek.
Trailer
In a bid to review the International System of Units (SI), the International Bureau of Weights and Measures gathered at the 26th General Conference on Weights and Measures on November 16, 2018. Sixty member states have voted for changing four out of seven basic units of measurement. The kilogram is among the modified. Before describing the key points, let us have a closer look into the kilogram and its history.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.
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