Director: Biene Pilavcı
Germany, 2012, 98', color
Danish with Turkish subtitles
This sweeping visual investigation was prompted by the question, "After many years of hatred and extreme violence in our family, can my four siblings and I manage to forge sound relationships with other people, even though our parents and their parents before them were unable to?" Biene Pilavci deftly manoeuvres between the cliffs of contradictory certainties in her film. On the one hand there is the burden of the family we are born into and whose weight we are forced to carry, on the other hand there is the freedom to make decisions for oneself (or others), not resigned to fate but following one's own inner compass. The longer you watch it, the more it seems as if "Dancing Alone" wasn't planned at all but more or less happened to all those involved -- an open-ended experiment. "I doubt whether this is a good thing", says the director, "but I guess it had to happen."
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Constituting the entirety of all the perceived aspects of an object creating their own order, form not only contains visual elements and characteristics, but can also help elucidate concepts.
With the Topkapı Palace, the center of political authority until the 19th century, and many other examples of classical Ottoman and Byzantine architecture included in its premise the Historical Peninsula is the heart of the Empire.
Berggren acquires the techniques of photography in Berlin and holds different jobs in various European cities before arriving in İstanbul. Initially en route to Marseille, he disembarks from his ship in 1866 and settles in İstanbul, where he is to spend the rest of his life.
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