Director: Jasmila Žbanić
Cast: Mirjana Karanovic, Luna Zimic Mijovic, Leon Lucev
Bosnia and Herzegovina, Austria, Germany, Croatia, 2006, 90’, color
Bosnian with Turkish subtitles
Single mother Esma lives with her 12 year-old daughter, Sara, in post-war Sarajevo. When mother and daughter discuss the delicate topic of the death of Sara's father, a war hero, Esma’s responses are always vague. The situation becomes more complicated when the school offers to take pupils on a free trip, provided they can furnish a certificate proving that they are the offspring of a war hero. Sara can’t get rid of the nagging feeling that something’s not right when she is not on the list of the orphans of war heroes. Esma breaks down and brutally reveals the painful facts: Esma was raped in a prisoner-of-war camp. The first step is overcoming the trauma...
Trailer
The Suna and İnan Kıraç Foundation’s Orientalist Painting Collection includes two children’s portraits that are often featured in exhibitions on the second floor of the Pera Museum. These portraits both date back to the early 20th century, and were made four years apart. One depicts Prince Abdürrahim Efendi, son of Sultan Abdulhamid II, while the figure portrayed on the other is Nazlı, the daughter of Osman Hamdi Bey.
Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.
As artisanship became a part of artistic practices with the blurring of art and craft, the use of traditional motifs has also flourished. In this context, how are these motifs currently structured or designed beyond their traditional connotations?
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