Two fugitives on the run and a helicopter on their tail... Whether because it is disguised as a cheap action/thriller or director Losey’s dedicated effort of revealing less, Figures in a Landscape has always been an overlooked work in the filmography of the master director. Whereas, in a 1971 article in the New York Times, film critic Vincent Canby wrote that Losey was “pursuing his own metaphysical concerns as in his films The Servant and The Accident.” For Losey, the film’s plot was a perfect allegory for tracing the race of survival between the hunter and the prey which is at the heart of nature. The name of the characters, the place, or details were insignificant. Figures in a Landscape is one of the stylistically most experimental and liberated works in Losey’s filmography.
Trailer
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
Inspired by the exhibition And Now the Good News, which focusing on the relationship between mass media and art, we prepared horoscope readings based on the chapters of the exhibition. Using the popular astrological language inspired by the effects of the movements of celestial bodies on people, these readings with references to the works in the exhibition make fictional future predictions inspired by the horoscope columns that we read in the newspapers with the desire to receive good news about our day.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 200 TL
Discounted: 100 TL
Groups: 150 TL (minimum 10 people)