Director: Kim Seong-ho
Cast: Lee Re, Lee Ji-won, Hong Eun-Taek, Kim Hye-Ja
South Korea, 2014, 109’, color
Korean with Turkish subtitles
Ji-so is a 10-year old living with her mom and a little brother, Ji-suk, in a pizza truck. With her dad out of contact after their pizza truck business went bankrupt and her mom lacking a sense of reality, Ji-so and her friend, Chae-rang, decide to get a house on their own. They naively believe five thousand dollars can buy a house and Ji-so finds a missing dog poster with a five thousand dollar reward. Now, their scheme is to find a rich dog, steal it and then return it back to its owner by pretending to have found it. Ji-so’s gang spots Wolly, the dog of an old rich lady who owns the restaurant where Ji-so’s mom works and sets out a perfect plan to steal the dog. They also make friends with a kindhearted wanderer who is camped out at the abandoned house where they’re keeping the dog. He shares his wisdom and offers help to the kids. Meanwhile, somebody else eyes on Wolly, the old lady’s nephew, Soo-young, who is after his aunt’s inheritance. But every perfect plan, no matter how well executed, is bound to run into some unexpected mishaps along the way. Will Ji-so, Chae-rang, and unexpectedly smart Ji-suk succeed in carrying out sneaky dog-stealing plot?
Trailer
While Paula Rego belatedly was recognised as one of the leading feminist pioneers of her age, little has been written about her exploration of fluid sexuality. Indeed the current of sado-masochism in her drawings and paintings, has tended to encourage an understanding as a classic clash between the patriarchy and exploited women.
Three people sleeping side by side. On the uncomfortable seats of the stuffy airplane in the air. Three friends. I’m the friend in the window seat. The other two are a couple, Emre and Melisa. I’m alone, they are together. And another difference. I’ve only closed my eyes. They are asleep.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
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