In Darkness

  • November 15, 2014 / 19:00
  • December 3, 2014 / 19:00

Director: Agnieszka Holland
Cast: Robert Wieckiewicz, Benno Fürmann, Agnieszka Grochowska

Poland, Germany, Canada, 145’, 2011, color
Polish with Turkish subtitles

A dramatization of one man's rescue of Jewish refugees in the Nazi-occupied Polish city of Lvov. Set in Lvov in 1943, and based on a true story of Polish sewer worker Leopold Socha and the fateful encounter that changes his life. When Socha encounters a group of Jews trying to escape the threatened liquidation of the ghetto by hiding in the cramped, rat-infested sewers, they offer him money to guide them to a secret spot and provide them with food. He makes up his mind and finally risks his own life for those refugees...

Fever

Fever

Europa Europa

Europa Europa

In Darkness

In Darkness

Burning Bush

Burning Bush

Trailer

In Darkness

Giacometti in Paris

Giacometti in Paris

The second part of exhibition illustrates Alberto Giacometti’s relations with Post-Cubist artists and the Surrealist movement between 1922 and 1935, one of the important sculptures series he created during his first years in Paris, and the critical role he played in the art scene of the period.

Midnight Stories: COGITO <br> Tevfik Uyar

Midnight Stories: COGITO
Tevfik Uyar

He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.

Jean-Michel Basquiat Look At Me!

Jean-Michel Basquiat Look At Me!

The exhibition “Look At Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection” examined portraiture, one of the oldest artistic genres, through a significant number of works of our times. Paintings, photographs, sculptures and videos shaped a labyrinth of gazes that invite spectators to reflect themselves in the social mirror of portraits.