Kiki of Montparnesse / NewBorns / Blue Blue Sky / #SlutWalkNYC / Cousin Bert / The Centipede and The Toad

Kiki of Montparnesse

France, 2013, DigiBeta, Color, 14’,  French, English Subtitled
Director: Amelie Harrault

Kiki, a plain model, a painter who became the Queen of the Night, an illustrator and cabaret singer, “a source of inspiration” who blindsided well-known avant-garde painters of 20st century

NewBorns

India, 2014, Blu-Ray, Color, 8’, Hindi, English Subtitled
Director: Megha Ramaswamy

New Borns is a documentary on women who survived acid attacks, calling the audience to a journey in the suffocation of private and public spaces in a nameless dystopia city…

Blue Blue Sky

Switzerland, 2014, Blu-Ray, Color, 9’, German, English Subtitled
Director: Bigna Tomschin

“In summer every body go for holidays, probably to the beaches. They don’t know there is nothing there.”

Maria stops talking before the summer holiday. She lives away from holiday activities and swimming pool, in her secret world where she is rarely visited.

#SlutWalkNYC

USA, 2013, Blu-Ray, Color, 5’, English
Director: Therese Shechter

“Women should avoid dressing like sluts in order not to be victimized.” This quote by a Toronto police officer galvanized feminist women to create the first SlutWalk in 2011, unleashing a global political movement.

Often mis-characterized as a march demanding the right to dress like ‘sluts’, its true aim is to shed the stereotypes and dangerous myths that justify rape and whitewash the guilty. The film documents New York SlutWalk empowering for some and contraversial and exclusionary for others.

Cousin Bert

Belgium, 2014, Blu-Ray, Color, 4’, Dutch, French, English Subtitled
Director: Camera-etc

The pig family is farming for generations. Girls and boys have their own specific chores in this family. Cousin Bert from Holland spends her summer holiday in this farm.

The Centipede and The Toad

France, 2013, Blu-Ray, Color, 10’, French, English Subtitled
Director: Anna Khmelevskaya

In a faraway forest, the gracious, lissome Centipede is admired by all the other creatures. Except for an old haughty and jealous Toad, who hates him. One day, he decides to get rid of the Centipede…

The Lost Honor of Katharina Blum

The Lost Honor of Katharina Blum

Reel Herstory: Real History of Reel Women

Reel Herstory: Real History of Reel Women

No Corpse Dumping / Cordelias / Sad Monsters

No Corpse Dumping / Cordelias / Sad Monsters

Vulva 3.0

Vulva 3.0

The Truth Beneath The Ground Guatemala, Silenced Genocide

The Truth Beneath The Ground Guatemala, Silenced Genocide

Kiki of Montparnesse / NewBorns / Blue Blue Sky / #SlutWalkNYC / Cousin Bert / The Centipede and The Toad

Kiki of Montparnesse / NewBorns / Blue Blue Sky / #SlutWalkNYC / Cousin Bert / The Centipede and The Toad

A Cup of Turkish Coffee / Doodle / Child’s Play / Ziazan

A Cup of Turkish Coffee / Doodle / Child’s Play / Ziazan

Hijabi Girls / The Easter Crumble / The Vast Landscape-Porcelain Stories / Matilde The Big Shake / Pulse

Hijabi Girls / The Easter Crumble / The Vast Landscape-Porcelain Stories / Matilde The Big Shake / Pulse

Piecemeal Ostim

Piecemeal Ostim

Marussia

Marussia

Diyar

Diyar

Blue Wave

Blue Wave

Fluid Rego

Fluid Rego

While Paula Rego belatedly was recognised as one of the leading feminist pioneers of her age, little has been written about her exploration of fluid sexuality. Indeed the current of sado-masochism in her drawings and paintings, has tended to encourage an understanding as a classic clash between the patriarchy and exploited women.

Midnight Horror Stories: The Landlord <br> Hakan Bıçakcı

Midnight Horror Stories: The Landlord
Hakan Bıçakcı

Three people sleeping side by side. On the uncomfortable seats of the stuffy airplane in the air. Three friends. I’m the friend in the window seat. The other two are a couple, Emre and Melisa. I’m alone, they are together. And another difference. I’ve only closed my eyes. They are asleep.

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.