Knife in the Water

  • November 1, 2014 / 14:00
  • November 2, 2014 / 15:00

Director: Roman Polanski
Cast: Leon Niemczyk, Jolanta Umecka, Zygmunt Malanowicz
Poland, 94’, 1962, black and white

Polish with Turkish subtitles

Roman Polanski's first feature is a brilliant psychological thriller that many critics still consider among his greatest work. The story is simple, yet the implications of its characters' emotions and actions are profound. When a young hitchhiker joins a couple on a weekend yacht trip, psychological warfare breaks out as the two men compete for the woman's attention. A storm forces the small crew below deck, and tension builds to a violent climax. With stinging dialogue and a mercilessly probing camera, Polanski creates a disturbing study of fear, humiliation, sexuality, and aggression. This remarkable directorial debut won Polanski worldwide acclaim, a place on the cover of Time, and his first Oscar¨ nomination.

Knife in the Water

Knife in the Water

Repulsion

Repulsion

Cul-de-sac

Cul-de-sac

Rosemary's Baby

Rosemary's Baby

Tess

Tess

Roman Polanski: Wanted and Desired

Roman Polanski: Wanted and Desired

Trailer

Knife in the Water

The Captive Sultan

The Captive Sultan

The war fought by the Greeks to shake off the Turkish yoke was closely observed around Europe and, this being the era of romanticism, the events taking place around Greece between 1821 and 1832 became a symbol for national liberation struggle.

Mark Požlep

Mark Požlep

Our Cold Front from the Balkans exhibition focuses on different generations of artists and art groups from the Balkan region. Throughout the exhibition, we keep sharing detailed information about the artworks. Take a look at Mark Požlep’s “Stranger than Paradise” video installation. Also you can check our interview with the artist on our YouTube channel! 

Artist Nicola Lorini in Conversation

Artist Nicola Lorini in Conversation

Inspired by its Anatolian Weights and Measures Collection, Pera Museum presents a contemporary video installation titled For All the Time, for All the Sad Stones at the gallery that hosts the Collection. The installation by the artist Nicola Lorini takes its starting point from recent events, in particular the calculation of the hypothetical mass of the Internet and the weight lost by the model of the kilogram and its consequent redefinition, and traces a non-linear voyage through the Collection.