Lives Worth Living

  • February 28, 2014 / 21:00
  • March 6, 2014 / 17:30

Director:  Eric Neudel, Alison Gilkey
USA 54’, 2011,  color

English with Turkish subtitles 

Lives Worth Living is both an historical documentary about the Disability Rights Movement and a biography about one man's struggle to survive. Charismatic leaders of the movement narrate the story of a long, hard, and successful drive for civil rights — a drive that brought together a once fragmented population into a powerful coalition that created some of the most far reaching civil rights legislation in our nation's history. It is a window into a world inhabited by people with an unwavering determination to live their lives like anyone else, and a passage into the past where millions of people lived without access to schools, apartment buildings, public transportation, etc. — a status quo today's generation cannot imagine.

Deaf Jam

Deaf Jam

Mondays at Racine

Mondays at Racine

Off the Rez

Off the Rez

Brooklyn Castle

Brooklyn Castle

Lives Worth Living

Lives Worth Living

Inocente

Inocente

Side By Side

Side By Side

Trailer

Lives Worth Living

The Success of an Artist

The Success of an Artist

Pera Museum presents an exhibition of French artist Félix Ziem, one of the most original landscape painters of the 19th century. The exhibition Wanderer on the Sea of Light presents Ziem as an artist who left his mark on 19th century painting and who is mostly known for his paintings of Istanbul and Venice, where the city and the sea are intertwined.

Reminiscences of Motifs

Reminiscences of Motifs

As artisanship became a part of artistic practices with the blurring of art and craft, the use of traditional motifs has also flourished. In this context, how are these motifs currently structured or designed beyond their traditional connotations? 

From Cypresses to Turkish Landscapes

From Cypresses to Turkish Landscapes

Among the most interesting themes in the oeuvre of Prassinos are cypresses, trees, and Turkish landscapes. The cypress woods in Üsküdar he saw every time he stepped out on the terrace of their house in İstanbul or the trees in Petits Champs must have been strong images of childhood for Prassinos.