A man travels around a city with a camera slung over his shoulder, documenting urban life with dazzling invention. This is a film about film production- from the cameraman and the editor to the projectionist and the orchestra involved with the exhibition of the film we see being made. It's a documentary of a day in the life of the Soviet Union. It's also, critically about cities and urban life in a period of swift change as seen in 1929. A landmark for its playful experimentation with the depiction of reality, Dziga Vertov’s The Man with a Movie Camera is charged with the excitement of cinema’s possibilities. “The film drama is the opium of the people,” Vertov wrote, “Long live life as it is!” Named in a recent Sight & Sound poll as the eighth best movie ever made, Vertov’s joyful trip through the streets of Moscow, Odessa, and Kiev, uses superimpositions, jump cuts, split screens, and a host of other effects to create an expressive portrait of a modernizing world.
Trailer
When Karl XII of Sweden was defeated by Tsar Peter the Great of Russia in 1709, he fled to the Ottoman Empire and settled in Bender with his entourage for five years.
A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards.
Ali Sami is born in Rusçuk in 1866, and moves to İstanbul. Because his family is registered in the Beylerbeyi quarter of Üsküdar, Ali Sami is also called Üsküdarlı Ali Sami. He graduates from the Mühendishane-i Berri-i Hümayun in 1866 and becomes a teacher of painting and photography at the school.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
