Mr. Hulot’s Holiday

  • July 14, 2018 / 16:00
  • July 28, 2018 / 18:00

Director: Jacques Tati
Cast: Jacques Tati, Nathalie Pascaud, Micheline Rolla, Valentine Camax
France, 1951, 88', black & white, French with Turkish subtitles
 
While the holidaymakers invade the Hôtel de la Plage, Hulot, fanciful and offbeat, turns up in his spluttering Salmson and, through his joyful clumsiness, he keeps disturbing the quietude of the city dwellers on holiday. In the canoe, on horseback, in the beach, in the tennis court, at the hotel’s restaurant, in a cemetery or during a picnic, Hulot links gags and disasters altogether. His own presence denounces the conventional and the seriousness. His elegant upstream crossing and a gallery of unforgettable portraits compose from this summertime in the 1950s a masterpiece of poetic burlesque.

Mr. Hulot’s Holiday

Mr. Hulot’s Holiday

Sim Sala Bim

Sim Sala Bim

Bonjour Tristesse

Bonjour Tristesse

L'Avventura

L'Avventura

Death in Venice

Death in Venice

Pauline at the Beach

Pauline at the Beach

A Summer's Tale

A Summer's Tale

Eternity and a Day

Eternity and a Day

Sex and Lucía

Sex and Lucía

Kinetta

Kinetta

The Beaches of Agnès

The Beaches of Agnès

About Elly

About Elly

Paradise: Love

Paradise: Love

The Blue Wave

The Blue Wave

On the Coast

On the Coast

Trailer

Mr. Hulot’s Holiday

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

I Copy Therefore I Am

I Copy Therefore I Am

Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.

Symbols

Symbols

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.