Death in Venice

  • June 8, 2018 / 21:00
  • June 23, 2018 / 16:00

Director: Luchino Visconti
Cast: Dirk Bogarde, Romolo Valli, Mark Burns, Nora Ricci
Italy, 1971, 130', color, Italian with Turkish subtitles
 
Director Luchino Visconti's screen adaptation of Thomas Mann's Death in Venice is both a triumph of visual style and a problematic study of literature-into-film translations. One of the themes of Mann's brilliant novella has to do with the artist's recognition of the power and validity of physical beauty, and Visconti's cinematic approach conveys his understanding of this theme in every frame. The splendor of Venice, the elegance of Aschenbach's seaside hotel, the androgynous perfection of the boy Tadzio - all are photographed in a lush, unhurried manner that allows the viewer to linger on a detail or to simply absorb the richness of the scene as a whole.

Mr. Hulot’s Holiday

Mr. Hulot’s Holiday

Sim Sala Bim

Sim Sala Bim

Bonjour Tristesse

Bonjour Tristesse

L'Avventura

L'Avventura

Death in Venice

Death in Venice

Pauline at the Beach

Pauline at the Beach

A Summer's Tale

A Summer's Tale

Eternity and a Day

Eternity and a Day

Sex and Lucía

Sex and Lucía

Kinetta

Kinetta

The Beaches of Agnès

The Beaches of Agnès

About Elly

About Elly

Paradise: Love

Paradise: Love

The Blue Wave

The Blue Wave

On the Coast

On the Coast

Trailer

Death in Venice

Good News from the Skies

Good News from the Skies

Inspired by the exhibition And Now the Good News, which focusing on the relationship between mass media and art, we prepared horoscope readings based on the chapters of the exhibition. Using the popular astrological language inspired by the effects of the movements of celestial bodies on people, these readings with references to the works in the exhibition make fictional future predictions inspired by the horoscope columns that we read in the newspapers with the desire to receive good news about our day. 

I Copy Therefore I Am

I Copy Therefore I Am

Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.

Marcel Duchamp’s Bicycle Wheel

Marcel Duchamp’s Bicycle Wheel

In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.