One Day in Sarajevo

  • September 18, 2015 / 20:00
  • October 3, 2015 / 17:00

Director: Jasmila Žbanić
Bosnia and Herzegovina, Austria, 2015, 60’, color

Bosnian with Turkish subtitles

Causes and consequences of the assassination that happened in Sarajevo a hundred years ago still continue to reverberate in Europe. On June 28, 1914 Gavrilo Princip assassinated the heir to the throne of the Austro-Hungarian Empire Franz Ferdinand sparking World War I that marked the start of the 20th century. As Sarajevo commemorated the centennial of the assassination, different people had different interpretations of what happened in the city a century ago and different emotions about it. This film tells about various perspectives of the anniversary in Sarajevo combining and contrasting footage filmed by citizens of Sarajevo (with small cameras and mobile phones) with scenes from feature films about the assassination by directors from Austria, Bosnia-Herzegovina and the United Kingdom.

Halima’s Path

Halima’s Path

One Day in Sarajevo

One Day in Sarajevo

Flotel Europa

Flotel Europa

Belvedere

Belvedere

Self Reflection

Self Reflection

Artist Nicola Lorini in Conversation

Artist Nicola Lorini in Conversation

Inspired by its Anatolian Weights and Measures Collection, Pera Museum presents a contemporary video installation titled For All the Time, for All the Sad Stones at the gallery that hosts the Collection. The installation by the artist Nicola Lorini takes its starting point from recent events, in particular the calculation of the hypothetical mass of the Internet and the weight lost by the model of the kilogram and its consequent redefinition, and traces a non-linear voyage through the Collection.

Ideology

Ideology

Pera Museum’s  Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia. 

Chlebowski’s Sultan

Chlebowski’s Sultan

This is one of Stanisław Chlebowski’s larger canvasses dealing with themes other than battles; only Ottoman Life at the Sweet Waters now at the Istanbul Military Museum can compare with it in size.