Pan's Labyrinth

  • April 21, 2018 / 16:00
  • April 24, 2018 / 19:00

Director: Guillermo del Toro
Cast: Ivana Baquero, Ariadna Gil, Sergi López, Maribel Verdú
Spain, Mexico, USA, 2006, 118',color, Spanish with Turkish subtitles
 

Eleven-year-old Ofelia comes face to face with the horrors of fascism when she and her pregnant mother are uprooted to the countryside, where her new stepfather (Sergi López), a sadistic captain in General Francisco Franco’s army, hunts down Republican guerrillas refusing to give up the fight. The violent reality in which Ofelia lives merges seamlessly with her fantastical interior world when she meets a faun in a decaying labyrinth and is set on a strange, mythic journey that is at once terrifying and beautiful. In his revisiting of this bloody period in Spanish history, del Toro creates a vivid depiction of the monstrosities of war infiltrating a child’s imagination and threatening the innocence of youth.

Free admissions. Drop in, no reservations.

Nicholas on Holiday

Nicholas on Holiday

My Life as a Zucchini

My Life as a Zucchini

Pan's Labyrinth

Pan's Labyrinth

Trailer

Pan's Labyrinth

İstanbul: Before & After

İstanbul: Before & After

Selected from the Suna and İnan Kıraç Foundation Photography Collection, we present the landscapes and places in Istanbul photographs, dating from the 1850s to the 1980s, together with their present-day views!

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

Il Cavallo di Leonardo

Il Cavallo di Leonardo

In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier.