Director: Tomer Heymann
Israel, 2006, 80', HDD, color
Hebrew, English with Turkish subtitles
Paper Dolls is a documentary film which explores changing patterns of global immigration and expanding notions of family through the prism of a community of Filipino trans sex workers who live illegally in Israel. Cast out by their families because of their sexual orientations, these people work 6 days a week as live-in, 24 hours a day care givers for elderly orthodox Jewish men, in order to earn money to send to their families in the Philippines that had rejected them. On their one free night per week, they pursue their own personal dreams as drag performers in the group they call The Paper Dolls in the relative freedom of cosmopolitan Tel Aviv. Despite having to deal with often harsh working conditions, threats by street criminals, fear of terrorist bombings and the constant peril of deportation, The Paper Dolls demonstrate a rare generosity of spirit, humanity and lust for life.
Trailer
Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.
In 1962 Philip Corner, one of the most prominent members of the Fluxus movement, caused a great commotion in serious music circles when during a performance entitled Piano Activities he climbed up onto a grand piano and began to kick it while other members of the group attacked it with saws, hammers and all kinds of other implements.
Among the most interesting themes in the oeuvre of Prassinos are cypresses, trees, and Turkish landscapes. The cypress woods in Üsküdar he saw every time he stepped out on the terrace of their house in İstanbul or the trees in Petits Champs must have been strong images of childhood for Prassinos.
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