Zeynep with her mother and daughter, is trying to survive in a rundown apartment located in the streets of Tarlabaşı, a neighbourhood with abandoned buildings waiting to be victimized by urban gentrification. Taking up the space of a tiny particle in the universe, Zeynep is a woman, a worker, and a mother. The camera never ceases to follow her, thereby we watch Zeynep as she strives to find a job after getting fired, as she tries to keep her family together, and as she struggles in dark alleys and workplaces. The film taunts us with the claustrophobic and often ignored aspects of the city we live in, and intensifies with Jale Arıkan’s powerful performance.
Trailer
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.
Giorgio de Chirico was born on July 10, 1888, in Volos, Greece, to an Italian family. His mother, Gemma Cervetto, was from a family of Genoa origin, but most likely she was born in Izmir. His father, Evaristo, was born on June 21, 1841 in the Büyükdere district of Istanbul.
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