Poulet Aux Prunes

  • November 6, 2013 / 18:30
  • November 10, 2013 / 18:00

Director: Vincent Paronnaud, Marjane Satrapi
Cast: Mathieu Amalric, Edouard Baer, Maria de Medeiros
France, Germany, Belgium, 93’, 2011, color
French, English with Turkish subtitles


Teheran, 1958. Since his beloved violin was broken, Nasser Ali Khan, one of the most renowned musicians of his day, has lost all taste for life. Finding no instrument worthy of replacing it, he decides to confine himself to bed to await death. As he hopes for its arrival, he plunges into deep reveries, with dreams as melancholic as they are joyous, taking him back to his youth and even to a conversation with Azrael, the Angel of Death, who reveals the future of his children... As pieces of the puzzle gradually fit together, the poignant secret of his life comes to light: a wonderful story of love, which inspired his genius and his music...

A Separation

A Separation

The Reader

The Reader

Poulet Aux Prunes

Poulet Aux Prunes

Beyond the Hills

Beyond the Hills

Where Do We Go Now?

Where Do We Go Now?

I Loved You So

I Loved You So

Hands Up

Hands Up

Louise Wimmer

Louise Wimmer

Trailer

Poulet Aux Prunes

Reality Bites!

Reality Bites!

Works by a large number of students from the Academy of Fine Arts in Sarajevo deal with current and often painful themes from the socio-political, economic and cultural reality, raising awareness, appealing, warning, opening issues and offering new interpretations.

Happy Republic Day!

Happy Republic Day!

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humorous eye over ‘historical’ events, both imagined and factual.

The Conventions of Identity

The Conventions of Identity

The exhibition “Look At Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection” examined portraiture, one of the oldest artistic genres, through a significant number of works of our times. Paintings, photographs, sculptures and videos shaped a labyrinth of gazes that invite spectators to reflect themselves in the social mirror of portraits.