Santo and Blue Demon vs. the Monsters

  • February 7, 2014 / 20:00
  • February 9, 2014 / 16:00

Director: Gilberto Martínez Solares
Cast: Santo, Blue Demon, Jorge Rado
Mexico; 85’, 1969, color

Spanish with Turkish subtitles

When Dr. Bruno Halder dies; Santo and Blue Demon share the suspicion that he was a criminal mastermind. Their suspicions are confirmed when Blue Demon witnesses Waldo, Dr. Halder’s assistant, carrying the doctor’s body back into his castle and bringing him back to life. When the re-animated doctor discovers Blue Demon, he clones him and sends the clone to kill Santo, along with a grotesque gallery of monsters, which includes a Vampire, a Mummy, a Cyclops, a Werewolf and Frankenstein. Santo will have to find the castle and rescue Blue Demon, so they can destroy the monsters and their evil creator mano a mano.

Anonymous Death Threat

Anonymous Death Threat

Santo vs. the She-Wolves

Santo vs. the She-Wolves

Santo and Blue Demon vs. the Monsters

Santo and Blue Demon vs. the Monsters

Santo in the Wax Museum

Santo in the Wax Museum

Santo vs. Blue Demon in Atlantis

Santo vs. Blue Demon in Atlantis

Reminiscences of Motifs

Reminiscences of Motifs

As artisanship became a part of artistic practices with the blurring of art and craft, the use of traditional motifs has also flourished. In this context, how are these motifs currently structured or designed beyond their traditional connotations? 

The Success of an Artist

The Success of an Artist

Pera Museum presents an exhibition of French artist Félix Ziem, one of the most original landscape painters of the 19th century. The exhibition Wanderer on the Sea of Light presents Ziem as an artist who left his mark on 19th century painting and who is mostly known for his paintings of Istanbul and Venice, where the city and the sea are intertwined.

Baby King

Baby King

1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.