The Master

  • September 15, 2013 / 14:00
  • September 22, 2013 / 18:00

Director: Paul Thomas Anderson
Cast: Joaquin Phoenix, Philip Seymour Hoffman, Amy Adams
USA, 144’, 2012, color
English with Turkish subtitles

Writer-director Paul Thomas Anderson’s latest movie The Master is set in post-World War II America and centers on the relationship between a psychologically damaged US Navy veteran and the guru of a quasi-religious movement. Haunted by his past, WW-II veteran and drifter Freddie Quell crosses paths with a mysterious movement called The Cause, led by Lancaster Dodd, aka The Master, and his wife Peggy. Their twisted relationship is the core of this film, which The New York Times called “a glorious and haunting symphony of color, emotion and sound with camera movements that elicit an involuntary gasp and feats of acting that defy comprehension.” Will Freddie be able to outrun his past? Will The Cause help or hurt him? Can this tortured, violent creature be civilized? Or is man, after all, just a dirty animal? Starring 2012 Academy-Award® Nominees for Best Actor, Joaquin Phoenix, Best Supporting Actor, Phillip Seymour Hoffman, and Best Supporting Actress, Amy Adams, Rolling Stone calls the film “A mind bending cinematic landmark.”

The Master

The Master

Blindness

Blindness

A Single Man

A Single Man

The Skin I Live In

The Skin I Live In

The Place Beyond the Pines

The Place Beyond the Pines

Melancholia

Melancholia

The Virgin Suicides

The Virgin Suicides

Trailer

The Master

An Organized Chaos: At Marcel Dzama’s Studio

An Organized Chaos: At Marcel Dzama’s Studio

We meet at Marcel Dzama’s studio in Brooklyn on the occasion of his solo exhibition Dancing with the Moon at Pera Museum. On this freezing day in January, he welcomes us with a warm smile, and for a few hours, we step into his world filled with surreal characters, music, dance, politics, and play.

Marcel Duchamp’s Bicycle Wheel

Marcel Duchamp’s Bicycle Wheel

In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art. 

The Chronicle of Sarajevo

The Chronicle of Sarajevo

Inspired by the great European masters, from Renaissance to Art Nouveau, Berber’s works exemplify the deep, opaque whites of his journeys through the fairy tale landscapes of Bosnia to the dark, macabre burrows of Srebrenica.