The Seasons of the Year

  • February 23, 2019 / 15:00
  • March 10, 2019 / 13:00

Director: Artavazd Peleshian
Armenia, 1975, 29',  b&w
Armenian with Turkish subtitles

In his final collaboration with cinematographer Mikhail Vartanov, Artavazd Peleshian films an isolated farming community in its relentless fight against the elements. The farmers herd sheep and work their land all year long. In the spring, they climb into the mountains with their herds, and at the end of the summer they harvest the hay, which falls down in a dusty avalanche of hay bales. In the winter, they make their way through the snow, sheep in tow. This is humanity, trapped in a brutish, but also beautiful reality. With a melodic rhythm of camera, editing and bittersweet classical music, Peleshian and Vartanov raise their film to the level of a true symphony - the symphony of our existence.

Free admissions. Drop in, no reservations.

Andriesh

Andriesh

The First Lad

The First Lad

Ukrainian Rhapsody

Ukrainian Rhapsody

Flower on the Stone

Flower on the Stone

Shadows of Forgotten Ancestors

Shadows of Forgotten Ancestors

Hakob Hovnatanyan

Hakob Hovnatanyan

The Color of Pomegranates

The Color of Pomegranates

The Seasons of the Year

The Seasons of the Year

The Legend of Suram Fortress

The Legend of Suram Fortress

Arabesques on the Pirosmani Theme

Arabesques on the Pirosmani Theme

Ashik Kerib

Ashik Kerib

Parajanov: A Requiem

Parajanov: A Requiem

Sergey Parajanov: The Rebel

Sergey Parajanov: The Rebel

Symbols

Symbols

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

Marcel Duchamp’s Bicycle Wheel

Marcel Duchamp’s Bicycle Wheel

In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.