Director: Richard Fung
Cast: Carlo Delle Piane, Valeria Bruni Tedeschi, Silvana De Santis, Filippo Trojano, Martin Compston
Italy, UK, Iran, 2005, 115', HDD, color
Italian, English, Persian with Turkish subtitles

Ermanno Olmi, Abbas Kiarostami and Ken Loach join forces to direct three interwoven stories that take place during a journey from Central Europe to Rome. The characters connect through casual encounters and set forth a story of love, chance and sacrifice.

One older businessman finds solace and a new insight into life when he is forced to wait at the train station due to bad weather. A young man is reminded of life’s obligations but is also introduced to love. And three Scottish youths on their way to the football match of their dreams are forced to open their eyes and see the bigger picture. One single train journey sparks many changes for many people. This is a film about privilege and exclusion, and the reality of the value of just a ticket.

Badlands

Badlands

Tickets

Tickets

 I Travel Because I Have to, I Come Back Because I Love You

I Travel Because I Have to, I Come Back Because I Love You

Big Easy Express

Big Easy Express

American Honey

American Honey

Symbols

Symbols

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.

Giorgio de Chirico

Giorgio de Chirico

Giorgio de Chirico was born on July 10, 1888, in Volos, Greece, to an Italian family. His mother, Gemma Cervetto, was from a family of Genoa origin, but most likely she was born in Izmir. His father, Evaristo, was born on June 21, 1841 in the Büyükdere district of Istanbul.

Marcel Duchamp’s Bicycle Wheel

Marcel Duchamp’s Bicycle Wheel

In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.