Artist Workshops

January 1 - March 1, 2020

Pera Learning organizes photography workshops for adults under the scope of the exhibition “A Road Story: 180 Years of Photography”. The first workshop, to be facilitated by Cemil Batur Gökçeer, will invite participants to reflect upon different styles in photography, while also emboldening them to explore authentic modes of expression. Murat Germen, whose photos are displayed in the exhibition, will be participating in the second workshop, which will encourage photography enthusiasts to employ the dimensioning technique to develop new expressive forms that constitute an alternative to two-dimensional photography.

January 10

19:30 Spider: Style in Photography
Artist Workshop: Cemil Batur Gökçeer

February 28

19:30 Adding Another Dimension to Photography
Artist Workshop: Murat Germen

Spider: Style in Photography <br>Artist Workshop: Cemil Batur Gökçeer

Spider: Style in Photography
Artist Workshop: Cemil Batur Gökçeer

Adding Another Dimension to Photography <br>Artist Workshop: Murat Germen

Adding Another Dimension to Photography
Artist Workshop: Murat Germen

Nudes With Mirrors

Nudes With Mirrors

Although mythological themes are not commonly encountered in Turkish painting, it is possible to see variations of widespread themes such as the Venus at her Toilet. 

History of a Khanjar

History of a Khanjar

Henryk Weyssenhoff, author of landscapes, prints, and illustrations, devoted much of his creative energies to realistic vistas of Belorussia, Lithuania, and Samogitia. A descendant of an ancient noble family which moved east to the newly Polonised Inflanty in the 17th century, the young Henryk was raised to cherish Polish national traditions.

The Search for Form

The Search for Form

A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.