Beyond the Time

April 21, 2024

Pera Learning in collaboration with Contemporary Drama Association are celebrating the April 23 National Sovereignty and Children's Day with simultaneous creative drama workshops for various age groups. On Sunday, April 21, the workshops taking place at the museum for the 7-8, 9-10, and 11-12 age groups will allow children to enjoy themselves through the method of creative drama, playing and engaging in enactments, embarking on a unique journey through the museum.

By experiencing the entire museum through the creative drama method, with the diversity of each exhibition floor touching a different point of imagination, the children become not only spectators of the museum but also involved in the artworks' adventures.

The event is free of charge. Reservation is required. The event will take place at the Pera Museum (face-to-face).

For more information: ogrenme@peramuzesi.org.tr

in collaboration with

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April 21

11:00 The Future in the Past

11:00 Here and Right Now!

11:00 Between the Times

The Future in the Past
Ages 7-8

The Future in the Past

Here and Right Now!
Ages 9-10

Here and Right Now!

Between the Times
Ages 11-12

Between the Times

Nudes With Mirrors

Nudes With Mirrors

Although mythological themes are not commonly encountered in Turkish painting, it is possible to see variations of widespread themes such as the Venus at her Toilet. 

History of a Khanjar

History of a Khanjar

Henryk Weyssenhoff, author of landscapes, prints, and illustrations, devoted much of his creative energies to realistic vistas of Belorussia, Lithuania, and Samogitia. A descendant of an ancient noble family which moved east to the newly Polonised Inflanty in the 17th century, the young Henryk was raised to cherish Polish national traditions.

The Search for Form

The Search for Form

A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.