Intersecting Worlds: Ambassadors and Painters Online Exhibition Tour

Teachers

  • November 24, 2021 / 19:45

Teachers will explore Suna and İnan Kıraç Foundation Orientalist Painting Collection’s Intersecting Worlds: Ambassadors and Painters exhibition in the digital environment, learning more about the works of art in a guided tour. The exhibition introduces teachers to interesting personalities as they navigate the winding roads of the history of diplomacy guided by art. Ambassadors and painters continue to communicate with us through a silent yet equally rich and colourful language of expression, presented in their reports and letters, and share with us their respective periods, worldviews, travels and experiences, as well as the ceremonies they joined. Participants discover how they can use the teacher's guide books prepared in accordance with the curriculum for Pera Museum collection exhibitions, how they can show their students around the exhibitions, and activities for different age groups.

Related exhibition: Intersecting Worlds: Ambassadors and Painters

Click here to access the Teachers’ Guide Book for the Orientalist Painting Collection Intersecting Worlds: Ambassadors and Painters collection exhibition.

Capacity: 80 participants

The event is free of charge. Reservation is required.
The event will take place on the Zoom Meeting application.
Participants will be issued participation certificates via e-mail at the end of the event.

Our quota is full, thank you for your interest.

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History of a Khanjar

History of a Khanjar

Henryk Weyssenhoff, author of landscapes, prints, and illustrations, devoted much of his creative energies to realistic vistas of Belorussia, Lithuania, and Samogitia. A descendant of an ancient noble family which moved east to the newly Polonised Inflanty in the 17th century, the young Henryk was raised to cherish Polish national traditions.

The Search for Form

The Search for Form

A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.