Piece by Piece Photography

Pera Enabled

After a guided virtual tour of the And Now the Good News: Works from the Nobel Collectionexhibition, we will observe how artists searched for a new function in society and novel ways of expressing themselves using the changing communication tools within the new art environment following the invention of photography. In this workshop, we focus on the relationship between printed media and visuals and analyze the period when artists had to compete with the camera. We’ll be cutting black and white city photos using the decollage technique and then color our work. The goal of this workshop is to improve students’ communication, problem solving and motor skills, and to strengthen their confidence.

Materials
Black and White City Photos
A4 Paper
Colored Paints (Oil pastels, colored pencils, etc.)
Glue
Scissors

Related Exhibition: And Now the Good News: Works from the Nobel Collection

Instructor: Müge Isıgöllü Sedola
Duration: 45 minutes

Participants will be issued participation certificates via e-mail at the end of the event. The event will take place on the Zoom Meeting app, with a guided online exhibition tour followed by a workshop activity on the exhibition.

Participants must have their webcams and microphones enabled in order for the instructor to see the participants and provide instructions. By registering, participants give their consent for the above. 

The event is free, but reservation is required.

For more information: ogrenme@peramuzesi.org.tr

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The Horse Figure in Mersad Berber’s Works

The Horse Figure in Mersad Berber’s Works

Mersad Berber (1940-2012), is one of the greatest and the most significant representatives of Bosnian-Herzegovinian and Yugoslav art in the second half of the 20th century. His vast body of expressive and unique works triggered the local art scene’s recognition into Europe as well as the international stage.

The Chronicle of Sarajevo

The Chronicle of Sarajevo

Inspired by the great European masters, from Renaissance to Art Nouveau, Berber’s works exemplify the deep, opaque whites of his journeys through the fairy tale landscapes of Bosnia to the dark, macabre burrows of Srebrenica.

Midnight Horror Stories: <br> Witches’ Sun <br> Mehmet Berk Yaltırık

Midnight Horror Stories:
Witches’ Sun
Mehmet Berk Yaltırık

I walk over rocks hot as iron under the September sun. I can make out a few lines in the distance, and a few cracked rocks, but apart from those, not a single tree, not one plant