Virtual Tour and Workshop Special for Mother’s Day
Weaving with Magazine Pages

Pera Kids
Ages 7-12

  • May 8, 2022 / 11:00

Pera Learning celebrates Mother’s Day with a virtual tour and workshop for children between the ages of 7 and 12.

We first attend a 3D virtual guided tour of the And Now the Good News exhibition, which takes the newspaper as an intellectual starting point. Then, we take a close look at the works of the French sculptor Cesar Baldaccini, who creates geometrical sculptures using crushed and recycled objects, before designing our own coasters using the carpet weaving technique. In this workshop, we develop our artistic and motor skills and use our imagination. We are inviting all children and their caregivers to join us in paper weaving!

Related Exhibition: And Now the Good News: Works from the Nobel Collection 

Materials
Glossy Paper (Magazine Pages)
Glue
Scissors

Duration: 90 minutes
Ages: 7-12
Capacity: 25 children + 25 adults

The event is free, but reservation is required.
We ask that participants bring their own materials for use in the workshops.
Children between the ages of 7 and 12 are requested to participate in the online workshop with an accompanying adult.

Participants will receive a certificate of participation via e-mail after the event.  The event will be held on Zoom Meeting and will consist of a 3D virtual guided tour of the exhibition, followed by a workshop related to the exhibition.

For detailed information: ogrenme@peramuzesi.org.tr

Our quota is full, thank you for your interest.

loading ... Loading...
loading ... Loading...
loading ... Loading...
Loading ...
loading ... Loading...
loading ... Loading...
loading ... Loading...
Loading ...
loading ... Loading...
loading ... Loading...
loading ... Loading...
Loading ...
loading ... Loading...
loading ... Loading...
loading ... Loading...
Loading ...
loading ... Loading...
loading ... Loading...
loading ... Loading...
Loading ...

A Photographer’s Biography Pascal Sebah

A Photographer’s Biography Pascal Sebah

Following the opening of his studio, “El Chark Societe Photographic,” on Beyoğlu’s Postacılar Caddesi in 1857, the Levantine-descent Pascal Sébah moves to yet another studio next to the Russian Embassy in 1860 with a Frenchman named A. Laroche, who, apart from having worked in Paris previously, is also quite familiar with photographic techniques.

Midnight Stories: COGITO <br> Tevfik Uyar

Midnight Stories: COGITO
Tevfik Uyar

He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.

Midnight Stories: The Red Button <br> Funda Özlem Şeran

Midnight Stories: The Red Button
Funda Özlem Şeran

It was a quiet night in the dessert. Even the mice weren’t around. A few LEDs blinked in the dark, and the sound of a fan filled the infinite void. The conversation cutting the silence seemed to go nowhere.