This City of Istanbul is Priceless

Concert

March 17, 2024 / 17:00

Approaching Istanbul's cultural and artistic history from a musical perspective within the theme of "Şehr-i Istanbul," (The City of Istanbul) Rezonans offers a polyphonic musical experience as part of On the Spot: Panoramic Gaze on Istanbul, a History which aims to shed new light on the history of Istanbul’s representations through panoramic paintings and photographs.

The choir features Kyrie Eleison’s prayers which have echoed through Istanbul for centuries, the poems of Nedim proclaiming "This city of Istanbul is priceless," and the works of Hasan Uçarsu and Volkan Akkoç, important composers of our time.

You can attend the concert, held on the same floor as Intersecting Worlds: Ambassadors and Painters, with a museum ticket. The seating is unnumbered.

Temporary Exhibition

On the Spot

The exhibition aims to shed new light on the history of Istanbul’s representations through panoramic paintings and photographs. It critically approaches the history of the "panorama" and contextualizes its many iterations. While examining the layered relationships in the production and consumption of panoramic images, the exhibition also explores the circulation of these images among different audiences, their receptions, and the connections between various media that have gained popularity over centuries.

On the Spot

Female Attires from the Perspective of Painters

Female Attires from the Perspective of Painters

Due to its existence behind closed doors, the lifestyle and attires of the women in the Harem have been one of the most fascinating topics for western painters and art enthusiasts alike.

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

A Photographer’s Biography Pascal Sebah

A Photographer’s Biography Pascal Sebah

Following the opening of his studio, “El Chark Societe Photographic,” on Beyoğlu’s Postacılar Caddesi in 1857, the Levantine-descent Pascal Sébah moves to yet another studio next to the Russian Embassy in 1860 with a Frenchman named A. Laroche, who, apart from having worked in Paris previously, is also quite familiar with photographic techniques.