On the Spot

The exhibition aims to shed new light on the history of Istanbul’s representations through panoramic paintings and photographs. It critically approaches the history of the "panorama" and contextualizes its many iterations. While examining the layered relationships in the production and consumption of panoramic images, the exhibition also explores the circulation of these images among different audiences, their receptions, and the connections between various media that have gained popularity over centuries.

An early 19th-century panorama of Istanbul, previously not published or exhibited, is being unveiled for the first time with the exhibition. As it brings together some of the most remarkable works by artists who captured a panoramic view of Istanbul, such as Barker, Gudenus, Schranz, Melling, Dunn, and Robertson, it also reveals how the panoramic perspective has been used to document different phenomena in Istanbul's history, from fire disasters to industrialization. While concentrating on 19th-century panoramas and panoramic images, On the Spot invites its audience to a comprehensive reconsideration of the long history of the panoramic perspective dating back to the early modern period, and Istanbul's position within this history.

The exhibition On the Spot: Panoramic Gaze on Istanbul, a History portrays the circulation of this representational form in the Ottoman world and Europe through a diverse selection of materials, including ephemera and archival documents in addition to paintings, prints, and photographs, while exploring the fluidity within this diversity and the dialogues between different media.

Curated by Çiğdem Kafescioğlu, K. Mehmet Kentel, and M. Baha Tanman, the exhibition is accompanied by a comprehensive catalogue containing articles that aim to re-read urban history and histories of architecture, art, photography, and modern consumption, through the frame provided by panoramic images.

Image Credits