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Parajanov
with Sarkis

December 13, 2018 - March 17, 2019

Pera Museum presented for the first time in Turkey a selection that brought together all periods of the versatile, multicultural visual world of renowned director Sergey Parajanov, master of poetic cinema. Featuring many works across a wide spectrum ranging in style from the traditional to pop-art, from strikingly unique collages to storyboard drafts, from film costumes to drawings, paintings, mosaics, objects and photographs, the exhibition shed light on the brilliant and fertile world of the artist.

Born in Tbilisi, Parajanov received singing and violin lessons as a child, displayed an interest in ballet and painting, worked with a theatre troupe, wrote scripts and embraced all branches of the fine arts. He settled in Moscow and studied at VGIK, the State Institute of Cinematography. His unique, breathtaking and spectacular cinematic language places him among the most important directors in film history.

Childhood, family, religion, captivity, freedom, multiculturality and traditional themes are at the forefront of his works, yet Parajanov engages with everything about life. Although he approaches many different genres, his work does not fit into any single category, it remains original throughout. Because of his dissident stance, he suffered under the Soviet regime, and was imprisoned for long periods. Even when free, he was deprived from the means to make films –this was how he begun to make his collages, discovering potential in any kind of material he came across. The boundless world of fantasy and symbolism in his collages reveals him as a master of the art of objects. His collages also brought him freedom, and the means to transcend borders and as in his films, his powerful creative energy found further expression in this medium.

The exhibition also featured works exclusively created in homage to Parajanov by Sarkis, another master artist who passionately followed him.

This exhibition had been prepared in collaboration with the Sergey Parajanov Museum, and a selection of Parajanov’s films also screened in a parallel program.

Exhibition Catalogue

Parajanov

Parajanov

Pera Museum presented a selection that brings together the visual world of renowned director Sergey Parajanov, for the first time in Turkey. Featuring many works across a wide spectrum ranging in style exhibition sheds light Sergey Parajanov’s imaginary world, a selection that brings together all periods of the versatile, multicultural visual world of the master of poertic cinema.

Parajanov, Troublemaker from the Caucasus <br>Jean Radvanyi

Parajanov, Troublemaker from the Caucasus
Jean Radvanyi

Geographer and film critic Jean Radvanyi is giving a talk as part of “Parajanov with Sarkis” exhibition, exploring Parajanov’s cinema in the Soviet context. Sergey Parajanov was born in 1924, in a family of Armenian merchants in Tbilisi, the capital of Georgia.

Video

Rebel Images
Sergey Parajanov

Presented as part of Parajanov, with Sarkis exhibition, Pera Film’s Rebel Images: Sergey Parajanov is a collection of the director’s films given form by his unbridled imagination and documentaries that showcase the testimonies of artists who have been inspired by Parajanov’s work.


The Battle of Varna

The Battle of Varna

Over the years of 1864 through 1876, Stanisław Chlebowski served Sultan Abdülaziz in Istanbul as his court painter. As it was, Abdülaziz disposed of considerable artistic talents of his own, and he actively involved himself in Chlebowski’s creative process, suggesting ideas for compositions –such as ballistic pieces praising the victories of Turkish arms. 

Souvenirs of the Future

Souvenirs of the Future

You try to remember the future. A bird painted on the ceramic panel in a historical palace has found its place on the wall. The tiles of a church and a mosque have been painted on canvas. The pattern of a centuries-old ceramic plate appears before you on a velvet curtain.

Midnight Horror Stories: The Last Ferry <br> Galip Dursun

Midnight Horror Stories: The Last Ferry
Galip Dursun

I remembered a game as I was waiting in the passenger lounge for the ferry to arrive just a few minutes ago. A game we used to play at home when I was young, in my country that is very far away from here, a relic from the distant past; I don’t even remember how we used to play it. The kind of game that makes me feel a thousand times lonelier than I already am among the crowd waiting to get on the ferry.