The Anatolian Weights and Measures Collection that Suna and İnan Kıraç began to form as early as the 1980s has grown rapidly over the years with the addiction of a number of pieces purchased from other collectors as well as regular acquisitions from Turkey and abroad. Presently, it is the most comprehensive and remarkable collection of its kind in Turkey.
Today this World-renowned collection consists of nearly eight thousand objects utilized in Anatolia from prehistory to date. These include key instruments used for measuring weight, length, and volume in a wide spectrum, extending from land measurements to commerce, from architecture to jewelry making and from seafaring to pharmaceutics. In this respect, the collection also serves as a priceless scientific resource for observing the relationship between systems of weights and measures across various periods and cultures, as well as their transformation and continuous use in the course of history.
Carefully selected to meet the demands of the exhibition hall, a broad range of objects from the collection is presented to the viewers in a chronological order. Pieces which have been excluded from this particular exhibition will be displayed periodically through “thematic” exhibitions in the future to shed more light on this fascinating area of interest in Anatolian cultural history.
The exhibition “Look At Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection” examined portraiture, one of the oldest artistic genres, through a significant number of works of our times. Paintings, photographs, sculptures and videos shaped a labyrinth of gazes that invite spectators to reflect themselves in the social mirror of portraits.
He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.
The second part of exhibition illustrates Alberto Giacometti’s relations with Post-Cubist artists and the Surrealist movement between 1922 and 1935, one of the important sculptures series he created during his first years in Paris, and the critical role he played in the art scene of the period.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
