40th Door

  • January 24, 2014 / 19:00
  • January 31, 2014 / 17:00

Director: Elcin Musaoglu
Cast: Hasan Safarov, Gyuliar Nabiyeva, Rovshan Agayev
Azerbaijan; 82’, 2009, color
Azerbaijani with Turkish subtitles

Fourteen-year-old Rustam lives with his mother in a village – his father has been killed by the Russian mafia. After his father’s death, Rustam tries to provide for himself and his mother without resorting to illegal schemes. However, his dream is to join a music band. The title of the film refers to an Azerbaijani fairytale about saving a princess from a house with 40 doors; no one has succeeded in opening the last door, and thus its secret remains hidden. The villagers have named their village the 40th door as well.

The Cloth Peddler

The Cloth Peddler

The Bat

The Bat

Buta

Buta

Fortress

Fortress

Holy Animal

Holy Animal

40th Door

40th Door

Chovkan

Chovkan

Steppe Man

Steppe Man

Trailer

40th Door

From two portraits of children…

From two portraits of children…

The Suna and İnan Kıraç Foundation’s Orientalist Painting Collection includes two children’s portraits that are often featured in exhibitions on the second floor of the Pera Museum. These portraits both date back to the early 20th century, and were made four years apart. One depicts Prince Abdürrahim Efendi, son of Sultan Abdulhamid II, while the figure portrayed on the other is Nazlı, the daughter of Osman Hamdi Bey.

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.

Memory of Objects

Memory of Objects

In his book exploring the cultural history of souvenirs, Rolf Potts discusses how such objects assume meaning through personal stories: Objects turn into memories with the stories they hold.