A Fidai Film

  • December 14, 2024 / 15:00

Director: Kamal Aljafari
Palestine, Germany, Qatar, Brasil, France, 2023, 78', DCP, color
Arabic, English, Hebrew with Turkish, English subtitles

In the summer of 1982, the Israeli army invaded Beirut. During this time, it raided the Palestinian Research Center and looted its entire archive. The archive contained historical documents of Palestine, including a collection of still and moving images. Taking this as a premise, A Fidai Film explores the visual memory of this looting and appropriates images now in the hands of Israeli archives.

*This film will be screened alongside the documentary “UNDR”.

UNDR

UNDR

A Fidai Film

A Fidai Film

Passing Drama

Passing Drama

My Stolen Planet

My Stolen Planet

No Other Land

No Other Land

Dreaming Dogs

Dreaming Dogs

Black Box Diaries

Black Box Diaries

Vista Mare

Vista Mare

From Ground Zero

From Ground Zero

Cow

Cow

Feeding the River: 20 Years of Anadolu Kültür

Feeding the River: 20 Years of Anadolu Kültür

An Ottoman Ambassador and a French Bulldog at Covent Garden

An Ottoman Ambassador and a French Bulldog at Covent Garden

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humourous eye over ‘historical’ events, both imagined and factual.

Midnight Horror Stories: The Last Ferry <br> Galip Dursun

Midnight Horror Stories: The Last Ferry
Galip Dursun

I remembered a game as I was waiting in the passenger lounge for the ferry to arrive just a few minutes ago. A game we used to play at home when I was young, in my country that is very far away from here, a relic from the distant past; I don’t even remember how we used to play it. The kind of game that makes me feel a thousand times lonelier than I already am among the crowd waiting to get on the ferry.

Reminiscences of Motifs

Reminiscences of Motifs

As artisanship became a part of artistic practices with the blurring of art and craft, the use of traditional motifs has also flourished. In this context, how are these motifs currently structured or designed beyond their traditional connotations?