Director: Angela Melitopoulos
Germany, 1999, 66', DCP, color
Greek, German with Turkish, English subtitles
Passing Drama is a multi-voice diary recounting the intertwined migration path of the inhabitants of Drama, a small town in northern Greece still inhabited by refugees who survived Nazi deportations. During the Second World War, many inhabitants of Drama were forced to exodus to labour camps in Nazi Germany, and not all of them returned to their hometown. This migratory and diasporic fate is common to the parents of Angela Melitopoulos (who was in fact born in Germany) and to entire generations of refugees, involved in a progressive cracking of collective memory, the restoration of which is attempted by the dense visual and sound texture that the artist restores in the film. Conceived as a veritable “video texture”, Melitopoulos thus restores the migrant history of her own family, emphasizing how the experience of diaspora undermines any order of perception of subjective memory. This idea of oblivion is expressed through an interwoven montage of images that reflects the deforming action of time: the older the events, the more the montage of images has undergone manipulation. The repeated fragments of industrial looms that appear between the sequences provide not only sociological representations (many refugees did in fact work in the textile industry), but also reflect the actual “textile-urological” paradigm of the film’s narrative construction.
In a bid to review the International System of Units (SI), the International Bureau of Weights and Measures gathered at the 26th General Conference on Weights and Measures on November 16, 2018. Sixty member states have voted for changing four out of seven basic units of measurement. The kilogram is among the modified. Before describing the key points, let us have a closer look into the kilogram and its history.
A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.
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