Director:  Michelangelo Antonioni
Cast: David Hemmings, Vanessa Redgrave, Sarah Miles
UK, USA,111’, 1966, color

English with Turkish subtitles

The first European art film to enjoy mass popularity, Antonioni’s mod London romp/metaphysical conundrum exploded commercially and critically – its graphic after-effects still felt today in both pop culture and high art. David Hemmings’ iconic photographer divides his work into authentic art and vapid economic necessity, yet his egotistical objectification of reality and blasé ownership of the image tests the limits of such simplistic divisions. While endlessly distracted by the frivolity and sensual diversions of the 60s, the detached artist confronts a perverse fantasy of the photographer: uncovering an actual crime through his art. However, the “real” exposé lies within the essential problems of perception and representation. While Antonioni discretely removes characters and “facts” one-by-one, he finally throws the resolution to this veritable thriller audaciously into the viewer’s court.

Story of a Love Affair

Story of a Love Affair

Red Desert

Red Desert

Zabriskie Point

Zabriskie Point

Identification of a Woman

Identification of a Woman

L’Avventura

L’Avventura

Blow-Up

Blow-Up

The Mystery of Oberwald

The Mystery of Oberwald

Shorts

Shorts

Postcard Nudes

Postcard Nudes

The various states of viewing nudity entered the Ottoman world on postcards before paintings. These postcards appeared in the 1890s, and became widespread in the 1910s, following the proclamation of the Second Constitutional Monarchy, traveling from hand to hand, city to city. 

Geography

Geography

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.

Artist Nicola Lorini in Conversation

Artist Nicola Lorini in Conversation

Inspired by its Anatolian Weights and Measures Collection, Pera Museum presents a contemporary video installation titled For All the Time, for All the Sad Stones at the gallery that hosts the Collection. The installation by the artist Nicola Lorini takes its starting point from recent events, in particular the calculation of the hypothetical mass of the Internet and the weight lost by the model of the kilogram and its consequent redefinition, and traces a non-linear voyage through the Collection.